‘Phantom Limbs’ at Pilar Corrias

My review of ‘Phantom Limbs’ at Pilar Corrias, London, on Art Agenda. Read it here

“People who have lost arms or legs often report experiencing a “phantom limb”—the sense that the limb is still there, or that they can still move or feel it. It’s a good metaphor, too, for current post-internet art debates concerning the shifting relationship of real to virtual, digital to material.“Phantom Limbs,” Pilar Corrias’s smarter-than-most summer show, does a concise job of mapping the various poles of this cultural and theoretical inquiry…”

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Natascha Sadr Haghighian at Carroll/Fletcher, London

My latest review for Art-Agenda

Berlin-based Natascha Sadr Haghighian’s exhibition at Carroll / Fletcher might appear visually spare, but with each work, Haghighian draws you further into a game of institutional hide-and-seek, in which visibility and invisibility, the act of remaining hidden and being revealed, are played out as Machiavellian manipulations of the conventions of spectatorship and exhibition, where voyeurism plays a critical role. Continue reading “Natascha Sadr Haghighian at Carroll/Fletcher, London”

Yto Barrada’s ‘Mobilier Urbain’ at Pace Gallery London

“There are artworks that work on the viewer’s apprehension of an implied absence, and then there are artworks that simply stand there waiting for that apparent lack to be filled in by contextualizing talk. The former has something to do with aesthetic experience, the latter with a loss of interest in it, and standing among Yto Barrada’s work at Pace Gallery London, I get the feeling the talk wins…”

My review of Yto Barrada for Art-Agenda…

http://www.art-agenda.com/reviews/yto-barradas-mobilier-urbain/

Damien Hirst’s Complete Spot Paintings at Gagosian

“I’ve got a game on my phone which consists of a grid of randomly coloured spots. It looks a bit like one of Damien Hirst’s many spot paintings. But at least with the game on my phone, if you get a row of the same colour, the spots go away…”

My review of Damien Hirst’s Spot Paintings extravaganza just up on Time Out…

Damien Hirst: The Complete Spot Paintings 1986-2011

Anselm Kiefer at White Cube Bermondsey

“Commenting on new work by a “great” artist is always difficult. The task is fraught with paradoxes. After all, the moment you’re faced with recent work from an artist who has long ago been elevated to the canon of contemporary art history, what is there left to say?”

Read my review of Anselm Kiefer’s latest show on Art-Agenda